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The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism-Doris Kearns Goodwin

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One of the Best Books of the Year as chosen by The New York Times, The Washington Post, The Economist, Time, USA TODAY, Christian Science Monitor, and more. “A tale so gripping that one questions the need for fiction when real life is so plump with drama and intrigue” (Associated Press).Doris Kearns Goodwin’s The Bully Pulpit is a dynamic history of the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air. The story is told through the intense friendship of Theodore Roosevelt and William Howard Taft—a close relationship that strengthens both men before it ruptures in 1912, when they engage in a brutal fight for the presidential nomination that divides their wives, their children, and their closest friends, while crippling the progressive wing of the Republican Party, causing Democrat Woodrow Wilson to be elected, and changing the country’s history. The Bully Pulpit is also the story of the muckraking press, which arouses the spirit of reform that helps Roosevelt push the government to shed its laissez-faire attitude toward robber barons, corrupt politicians, and corporate exploiters of our natural resources. The muckrakers are portrayed through the greatest group of journalists ever assembled at one magazine—Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—teamed under the mercurial genius of publisher S.S. McClure. Goodwin’s narrative is founded upon a wealth of primary materials. The correspondence of more than four hundred letters between Roosevelt and Taft begins in their early thirties and ends only months before Roosevelt’s death. Edith Roosevelt and Nellie Taft kept diaries. The muckrakers wrote hundreds of letters to one another, kept journals, and wrote their memoirs. The letters of Captain Archie Butt, who served as a personal aide to both Roosevelt and Taft, provide an intimate view of both men. The Bully Pulpit, like Goodwin’s brilliant chronicles of the Civil War and World War II, exquisitely demonstrates her distinctive ability to combine scholarly rigor with accessibility. It is a major work of history—an examination of leadership in a rare moment of activism and reform that brought the country closer to its founding ideals.

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Bottom Line: In the Bully Pulpit, Professor Doris Goodwin has written a bloated but worthy read. Using the lives and presidencies of Theodore Roosevelt and Howard Taft as the center; she combines shorter biographies and a partial history of the Progressive movement in Republican politics. A second major theme is a biography of Samuel McClure, his magazine, the people he lead and how together they created the golden age of journalism. There is a lot of book, a lot to discuss and Prof. Goodwin needed a better editor in getting it into one volume. The Bully Pulpit is recommended, but are cautioned that this is a longer book than needed.New to me was that President Teddy Roosevelt had invented the term ‘Bully Pulpit”. His use of the slang word ‘Bully’ indicated that something was good, grander than a more modern person might say “Nifty”. To Roosevelt the Bully Pulpit was a very good place to be heard and thereby command public attention. He also coined the word ‘Muckraker’. From the beginning a harsh term to suggest that a journalist so employed was shoveling farm yard waste, to create scandal and distrust where it was not justifiable.Prof. Goodwin’s purpose is to compare how effectively President Roosevelt combined his use of the bully pulpit with his openness to certain of the muckrakers, specifically the McClure’s stable of investigative reporters. She contrasts this with President Taft’s more limited use of the bully pulpit and more traditional use of political discourse to forward their common cause: the Republican Progressive movement. The difference would be one of degree rather than absolute. Each would have to take some causes directly to the people and each would have to make some compromises. Indeed there is an unanswered question suggested by Roosevelt, that Taft had compromised too much.Had this book been focused more on this topic, it would have been a better book. Instead Professor Good win gives us a detailed biography of the two men, much of it available in purpose built biographies. The extensive backgrounds on the team behind McClure, particularly Ida Tarbell, Lincoln Steffens and William Allen White was interesting if over much. Roosevelt promoted close relationships with his favored journalists. Another example of how TR was a man of the future and is germane to the author’s larger questions.Goodwin’s certainly dares greatly. She does achieve her goals. She asks us to strive through too many pages.
The concept of this book is basically to present simultaneously (a) a biography of T.R.; (b) a biography of William Howard Taft; and (c) a general non-fiction book (like Simon Winchester might do) about McClure's magazine; and in fact (d) mini-bios of several McClure's writers. That seems both very audacious in scope, and difficult as far as tying all that together in a cohesive manner. Improbably, Goodwin makes it work brilliantly. Probably the key ingredient is her exposition of the access and relationships that the McClure's writers had to T.R., and the synergy thus created; plus contrasting how things changed under Taft.The book is extremely long, so if you're short of attention span, consider that. I prefer richly detailed narrative (as long as it's not aimless or wandering) rather than glossing over things to shorten a book up, so the fact that this took me 6 weeks to read was no problem for me. (It is exhaustively end-noted, by the way, for those interested. When you finish the book's main pages, you will be only at 56% through on the Kindle's progress meter.) Like many readers, I have previously read a T.R. biography or two, but I did not find this book repetitive or redundant to those, given its angle on T.R.'s career and given all the Taft and McClure's content. Really a master work, and a great read that lets you lose yourself in the turn-of-the-century era for quite awhile.

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